School/Faculty/Institute Faculty of Economics, Administrative and Social Sciences
Course Code POLS 436
Course Title in English Music, Society and Politics
Course Title in Turkish Muzik, Toplum ve Siyaset
Language of Instruction EN
Type of Course Flipped Classroom
Level of Course Intermediate
Semester Spring
Contact Hours per Week
Lecture: 3 Recitation: 0 Lab: 0 Other: 0
Estimated Student Workload 135 hours per semester
Number of Credits 5 ECTS
Grading Mode Standard Letter Grade
Pre-requisites None
Expected Prior Knowledge none
Co-requisites None
Registration Restrictions Only Undergraduate Students
Overall Educational Objective To become familiar with the intersections between music, society and politics
Course Description This course enables students to become familiar with the intersections between music, society and politics. It will give a wide range of perspectives covering topics such as music and politics, music and protest, music and industries. Other main topics include the interactions between music and the emergence of legitimate cultures, sub-cultures and modernization efforts. The first part of the course aims to explore theoretical approaches used to discuss music and various other topics (politics, cultures, sub-cultures, industries, protests) that are inherently linked with music. The second part of the course offers a range of articles discussing the politicization of music in the 20th century as exemplified by different countries. In this part, students are also expected to make presentations that relate to the course subjects and materials.
Course Description in Turkish Bu ders, öğrencilerin müzik, toplum ve siyaset arasındaki kesişme noktalarına aşina olmalarını sağlar. Bu ders, müzik ve politika, müzik ve protesto, müzik ve endüstri gibi konuları kapsayan geniş bir perspektif yelpazesi sunacaktır. Diğer ana başlıklar, müzik ile meşru kültürlerin, alt kültürlerin ortaya çıkışı ve modernleşme çabaları arasındaki etkileşimleri içerir. Dersin ilk bölümü, müziği ve doğası gereği müzikle bağlantılı olan çeşitli diğer konuları (politika, kültürler, alt kültürler, endüstriler, protestolar) tartışmak için kullanılan teorik yaklaşımları keşfetmeyi amaçlamaktadır. Dersin ikinci bölümü, 20. yüzyılda müziğin siyasallaşmasını farklı ülkelerden örneklerle tartışan bir dizi makale sunar. Bu bölümde öğrencilerden ayrıca ders konuları ve materyalleri ile ilgili sunumlar yapmaları beklenmektedir.

Course Learning Outcomes and Competences

Upon successful completion of the course, the learner is expected to be able to:
1) Develop critical thinking about the relationship between music, society and politics
2) Express their ideas on solid theoretical grounds
3) Assess the political contents of particular musical pieces
4) Understand different meanings and messages music delivers in different countries
5) Comprehend art works with relation to political, cultural and socio-economic context
Program Learning Outcomes/Course Learning Outcomes 1 2 3 4 5
1) Thorough knowledge of the major concepts, theoretical perspectives, empirical findings, and historical trends in psychology.
2) Understanding of and ability to apply essential research methods in psychology, including research design, data analysis, and data interpretation.
3) Competence to use critical and creative thinking, skeptical inquiry and a scientific approach to solving problems related to behavior and mental processes.
4) Understanding and ability to apply psychological principles, skills and values in personal, social, and organizational contexts.
5) Ability to weigh evidence, to tolerate ambiguity, and to reflect other values that underpin psychology as a discipline.
6) Internalization and dissemination of professional ethical standards.
7) Demonstration of competence in information technologies, and the ability to use computer and other technologies for purposes related to the pursuit of knowledge in psychology and the broader social sciences.
8) Skills to communicate the knowledge of psychological science effectively, in a variety of formats, in both Turkish and in English (in English, at least CEFR B2 level).
9) Recognition, understanding, and respect for the complexity of sociocultural and international diversity.
10) Recognition for the need for, and the skills to pursue, lifelong learning, inquiry, and self-improvement.
11) Ability to formulate critical hypotheses based on psychological theory and literature, and design studies to test those hypotheses.
12) Ability to acquire knowledge independently, and to plan one’s own learning.
13) Demonstration of advanced competence in the clarity and composition of written work and presentations.

Relation to Program Outcomes and Competences

N None S Supportive H Highly Related
     
Program Outcomes and Competences Level Assessed by
1) Thorough knowledge of the major concepts, theoretical perspectives, empirical findings, and historical trends in psychology. N
2) Understanding of and ability to apply essential research methods in psychology, including research design, data analysis, and data interpretation. N
3) Competence to use critical and creative thinking, skeptical inquiry and a scientific approach to solving problems related to behavior and mental processes. H Exam,HW,Participation
4) Understanding and ability to apply psychological principles, skills and values in personal, social, and organizational contexts. N
5) Ability to weigh evidence, to tolerate ambiguity, and to reflect other values that underpin psychology as a discipline. N
6) Internalization and dissemination of professional ethical standards. N
7) Demonstration of competence in information technologies, and the ability to use computer and other technologies for purposes related to the pursuit of knowledge in psychology and the broader social sciences. N
8) Skills to communicate the knowledge of psychological science effectively, in a variety of formats, in both Turkish and in English (in English, at least CEFR B2 level). N
9) Recognition, understanding, and respect for the complexity of sociocultural and international diversity. S Participation
10) Recognition for the need for, and the skills to pursue, lifelong learning, inquiry, and self-improvement. S HW,Participation
11) Ability to formulate critical hypotheses based on psychological theory and literature, and design studies to test those hypotheses. N
12) Ability to acquire knowledge independently, and to plan one’s own learning. S Exam,HW
13) Demonstration of advanced competence in the clarity and composition of written work and presentations. H Exam,HW
Prepared by and Date CANSU GÜLEÇ , January 2024
Course Coordinator CANSU GÜLEÇ
Semester Spring
Name of Instructor Asst. Prof. Dr. OZAN EREN

Course Contents

Week Subject
1) Introduction
2) Music and Politics
3) Protest and Music
4) Noise and Politics
5) Social Movements, Music and Race
6) Music and Boundaries: Race and Folk
7) Subcultures
8) Midterm
9) Jazz, Censorship and Cultural Life - the Soviet Union
10) The Music of Protest in the 1960s – America
11) Labor and Industrial Protest Songs – Canada
12) Arabesk Culture, Modernization and Popular Identity – Turkey
13) Skinheads and Nazi Rock – England & Germany
14) Tango, Politics and Economy - Argentina
15) Final Exam Period
16) Final Exam Period
Required/Recommended ReadingsAttali, J. (1985). Listening. In Noise: The Political Economy of Music. Minneapolis/London: University of Minnesota Press, 3-20. Brown, T. S. (2004). Subcultures, Pop Music and Politics: Skinheads and "Nazi Rock" In England and Germany. Journal of Social History, 38 (1), 157-178. Clarke J, Hall S, & Jefferson, T. (1976). Subcultures, Culture and Class: A Theoretical Overiew. In Hall, S. & Jefferson, T. (Eds.), Resistance Through Rituals: Youth Subcultures in Post-War Britain (pp. 9-74). London: Routledge. Damodaran, S. (2016). Protest and Music. In Oxford Research Encyclopedia. DOI: 10.1093/acrefore/9780190228637.013.81 Fowke, E. (1969). Labor and Industrial Protest Songs in Canada. The Journal of American Folklore, 82 (323), 34-50. Hebdige, D. (1979). Subcultures: The Meaning of Style. London: Routledge, pp. 1-19. Lücke, M. (2007). Vilified, Venerated, Forbidden: Jazz in the Stalinist Era. Music and Politics, 1 (2), 1-9. Luker, M. J. (2007). Tango Renovación: On the Uses of Music History in Post-Crisis Argentina. Latin American Music Review / Revista de Música Latinoamericana, 28 (1), 68-93. Özbek, M. (1997). Arabesk Culture: A Case of Modernization and Popular Identity. In Bozdoğan, S. & Kasaba, R. (Eds.), Rethinking Modernity and National Identity in Turkey (pp. 211-232). University of Washington Press. Rosenstone, R. A. (1969). The Times They Are A-Changin: The Music of Protest. The ANNALS of the American Academy of Political and Social Science, 32, 131-144. Roy, W. (2010). Social Movements, Music and Race. In Social Movements, Folk Music,and Race in the United States. Princeton: Princeton University Press, 1-28. Roy, W. (2010). Music and Boundaries: Race and Folk. In Social Movements, Folk Music,and Race in the United States. Princeton: Princeton University Press, 28-49. Street, J. (2014). Music as Political Communication. In Oxford Handbook of Political Communication. Kenski, K. & Hall Jamieson, K. (eds.). Oxford: Oxford University Press
Teaching MethodsFlipped Classroom methods such as pre-class quizzes, pre-class videos, group discussions, group debates, presentations, and essay type exams.
Homework and ProjectsNone
Laboratory WorkNone
Computer UseNone
Other ActivitiesNone
Assessment Methods
Assessment Tools Count Weight
Attendance 14 % 30
Presentation 1 % 10
Midterm(s) 1 % 30
Paper Submission 1 % 30
TOTAL % 100
Course Administration gulecc@mef.edu.tr
: (212) 395 3610
Attendance and active participation are required. There would be no late presentations and make up exams unless medical report provided. MEF university values academic integrity. Therefore all students must understand the meaning and consequences of cheating, plagiarism and other academic offences under the code of student conduct and disciplinary procedures.

ECTS Student Workload Estimation

Activity No/Weeks Hours Calculation
No/Weeks per Semester Preparing for the Activity Spent in the Activity Itself Completing the Activity Requirements
Course Hours 14 2 2 1 70
Paper Submission 13 3 2 65
Total Workload 135
Total Workload/25 5.4
ECTS 5